Thursday, November 23, 2023

The Hunger Games: Catching Fire

 

The Hunger Games: Catching Fire (Original Motion Picture Score)
Music by James Newton Howard

Renovatio Records invites you to pair up our previous release of The Hunger Games with the score for the second installment in the film series: The Hunger Games: Catching Fire. Released in 2013 and directed by Francis Lawnrece, the sequel stars the original cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Stanley Tucci, and Donald Sutherland, with the welcomed additions of Jena Malone, Jeffrey Wright, and Philip Seymour Hoffman. The film’s plot follows the troublesome lives of Katniss Everdeen and Peeta Mellark in District 12 after their joint victory in the 74th Hunger Games. Though they enjoy material comfort, they struggle with emotional unease. Furthermore, President Snow sees the victors as a threat since their actions have triggered rebellion in Panem. Thus, he plots to eliminate them by announcing a Quarter Quell, in which previous victors are selected as tributes to participate in the 75th Hunger Games, throwing them into the deadly arena once more.

The film not only performed excellently at the box office, but also received positive reviews from critics, who praised Lawrence's performance, as well as its action sequences, screenplay, visual effects, and emotional depth. Many went on to consider it the best film in the series. More importantly, the film manages to explore thought-provoking themes by making social commentary of people’s everyday concerns and obsessions such as political frustrations, fascination with celebrities, addiction to reality shows, violence in TV, classism, inequity, and wealth disparity.

The Hunger Games: Catching Fire also saw the return of composer James Newton Howard, whose musical score was also warmly received. Howard continues with the general demeanor of its predecessor, reprising much of the instrumentation and styles while improving his collection of ideas.

For the music in The Hunger Games: Catching Fire , Howard reprises much of the instrumentation and style of the original. The bluegrass element returns for Katniss, representing her rural upbringing, while the classical style continues for the capital city of Panem, namely the “Horn of Plenty” fanfare by the group Arcade Fire. String and piano solos also come back for the film’s concept of resistance, backing up its emotional core. However, what truly stands out in The Hunger Games: Catching Fire are huge orchestral outbursts for scenes of awe and action. Cues like “The Games Begin”, “The Fog”, and “Monkey Mutts Attack” showcase the sort of stunning and relentless action music that only Howard can produce. What's more, these last two tracks transition into glorious and emotional fantasy music that will make the hair on the back of your neck stand up.

Howard also makes heavy use of most of the themes he conjured for the first film, while also developing new motifs. The tragedy theme subtly introduced in the first score makes bigger appearances here, now associated with the stirred uprising, with stronger performances in “A Quarter Quell” and “Mockingjay”. The loss theme of the first score's “Rue’s Farewell” also comes back here in “The Tour”, an impressive track that evolves into a new Victors motif, an emotion-charged theme that recycles the Games rising four-note theme introduced in the first score. This powerful theme suggests the physical, psychological and political scars that the games have left on the victors. For Katniss, who is forced to have two faces in the sequel, Howard fittingly develops two new motifs, both presented in the opening track “Katniss”. The first theme is a whistle-like motif, resembling the mockingjay chant of the first film and associated with her alter-ego. And the second more personal theme is namely a longing female solo by Sunna Wehrmeijer, which is excellently combined with the rural roots of the character. This theme has a sense of melancholy that goes hand in hand with Katniss’s recognition of the injustices in her society. The theme eventually culminates in the victorious “Good Morning Sweetheart”, with a major ensemble performance that is truly sublime. And last but not least, Howard inserts a much needed new love theme to accompany the closeness between Katniss and Peeta; a lovely acoustic guitar performance of this theme can be heard in “I Need You”.

The score for The Hunger Games: Catching Fire was released in 2013 by Lionsgate/Republic Records in the form of a lengthy album that reached 75 minutes of music. Much of the lesser material of the complete score is added to this album, making it an arduous listening experience. Renovatio Records has condensed the score into a 60-minute album that covers all of Howard’s highlights, while maintaining fluency and keeping the listener engaged. Enjoy!


Track List:

1. Katniss (4:49)
2. The Tour (5:58)
3. A Quarter Quell (2:14)
4. Peacekeepers (5:31)
5. Chariot Ceremony (Horn of Plenty) (2:08)
6. Bow and Arrow (2:34)
7. Beetee (2:23)
8. We're A Team (1:59)
9. Let's Start (1:59)
10. The Games Begin (4:15)
11. The Fog (4:58)
12. Monkey Mutts Attack (4:09)
13. I Need You (3:59)
14. The Wire (4:06)
15. Good Morning Sweetheart (4:57)
16. Mockingjay (1:24)

Total Running Time: 57:23


Size: 280.5 MB
Files type: FLAC Audio File [.flac]
Channels: 2 (stereo)
Sample Rate: 44.1 KHz
Sample Size: 16 bit
Bit Rate: 1,411 kbps


Cover Artwork:




Credits:
Music by JAMES NEWTON HOWARD
Produced by JAMES NEWTON HOWARD
Co-Produced by JIM WEIDMAN, SVEN FAULCONER and SUNNA WEHRMEIJER

From Lionsgate:
Executive in Charge of Film Music for Lionsgate: TRACY McKNIGHT
General Manager & EVP, Music Business Affairs: LENNY WOHL
Senior Director, Film Music: TREVON KEZIOS
Manager, Contract Administration: KAREN SIDLOW
Music Budget Supervisor: CHRIS BROWN
Coordinators, Film Music: RYAN SVENDSEN and NIKKI TRIPLETT
Assistant to Ms. McKnight: RONA RAPADAS

Score Recorded and Mixed by SHAWN MURPHY
Orchestra and Choir Conducted by PETE ANTHONY
Supervising Music Editor: JIM WEIDMAN
Music Editor: DAVID OLSON
Orchestrations: PETE ANTHONY, JEFF ATMAJIAN, JON KULL, JOHN ASHTON THOMAS and PETER BATEMAN
Additional Arrangmeents and Synth Programming: SVEN FAULCONER, SUNNA WEHRMEIJER
Synth Programming: DAVE PORTER and CHRISTOPHER WRAY
Choir Co-Masters: TERRY EDWARDS and BEN PARRY
Choir: LONDON VOICES
Additional Vocals Performed by SUNNA WEHRMEIJER (courtesy of James Newton Howard, Inc.)
Orchestra Leader: THOMAS BOWES
Solo Cello: JOSEPHINE KNIGHT
Solo Fiddle: SONIA SLANY
Guitars: JOHN PARRICELLI
Dulcimer: JON BANKS
Ethnic Flute: JAN HENDRICKSE
Orchestral Contractor: ISOBEL GRIFFITHS
Assistant Orchestral Contractor: JO BUCKLEY
Auricle Control Systems: CHRIS COZENS, RICHARD GRANT
Music Preparation by DAKOTA MUSIC SERVICE
Mix Recordist: ERIK SWANSON
Scoring Editor: DAVID CHANNING
Second Mix Engineer: MATT WARD
Scoring Coordinator: PAMELA SOLLIE
Score Recorded at AIR LYNDHURST STUDIOS, LONDON, UK
Score Mixed at JAMES NEWTON HOWARD STUDIOS, SANTA MONICA, CA

All selections written by James Newton Howard, (c) 2013 A Lion Music (ASCAP) / WB Music Corp. (ASCAP), administered by WB Music Corp. (ASCAP), except:
"Horn of Plenty" written by Win Butler and Regine Chassagne

Renovatio Records [0-01702-19034]

Thursday, November 16, 2023

The Hunger Games

 

The Hunger Games (Original Motion Picture Score)

Music by James Newton Howard


With the worldwide release of The Hunger Games: The Ballad of Songbirds & Snakes, here at Renovatio Records we have gone all the way back to Panem for the release of James Newton Howard’s score for the first film of the franchise, The Hunger Games, by director Gary Ross. Based on the 2008 novel of the same name by Suzanne Collins, and starring Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Wes Bentley, Elizabeth Banks, Lenny Kravitz, Stanley Tucci, Toby Jones, and Donald Sutherland, the film tells the tale of Katniss Everdeen, a girl living in a dystopian future where a male and female tribute are annually selected from impoverished districts to fight to the death in an televised gladiatorial event to amuse the elitist society of the capital of the nation. Katniss, from District 12, sees herself forced to participate in the game, and decides to team up with his male companion, Peeta Melark, in an attempt to boycott and expose the machinations and conspiratory intentions behind the event. Their actions eventually set the stage for rebellion and social upheaval, which are further explored in the sequels.

Even though the film received some criticism for its excessive use of shaky cam and its frenetic editing, the film was very well received by critics and audiences, praising its social commentaries and messages. It does not go too deep to reach reasonable conclusions, but The Hunger Games does touch on themes such as inequality, class divide, the evils of an authoritarian government, and the dangers of reality television. It cannot be denied that it is a classic science-fiction that manages to capture the dramatic violence and the raw emotion of its source novel.

As regards its music, The Hunger Games is a bit of a mess. Initially, director Gary Roos had decided to hire composer Danny Elfman and songwriter T-Bone Burnett to collaborate on what would be a score/song hybrid. However, this partnership dissolved due to alleged scheduling conflicts. Elfman would soon be replaced by James Newton Howard, who is known for producing excellent replacement scores in short periods of time –clear examples of this being King Kong (2005) and Waterworld (1995). Howard had three weeks to write an original score that would enhance the musical decisions already present in the film. In the end, out of the approximate 80 minutes of music that Howard wrote for The Hunger Games, only 30 to 40 minutes were actually used in the film, the rest being replaced by source music or plain silence. Nevertheless, Howard’s score is packed with intelligent thematic ideas and instrumentation.

Howard's aim was to focus mainly on Katniss’ emotions, so he resorted to his usual mannerisms to create an intimate score with a folksy, country sound, in line with Burnett’s style. The score makes interesting uses of instruments such as Celtic fiddle, acoustic guitar, cimbalom, dulcimer, ethnic flutes, and percussion, most of these accompanying Katniss’ personal moments in which she is longing for home. He introduces a dulcimer motif in the track “Capitol Ship”, which represents the idea of home and District 12 and is explored in several key moments of the film. A major idea for Katniss is a series of three note string phrases that can be heard in “Katniss Afoot”. This theme is recurrent throughout the theme, usually appearing whenever the character is out hunting, effectively denoting a notion of movement. Arguably the most alluring of Howard’s themes is a loss theme, presented in “Rue’s Farewell”. This theme is a classic James Newton Howard orchestral and emotional theme that will certainly appeal to his fans. A subtle tragedy theme is also introduced in “The Train”; this theme aims at the social commentary of the film, and as such, it is further explored during the sequels. For the evil Capitol, the score offers two themes. The first is a relentless series of rising four notes played by bass strings in the tracks “Reaping” and “The Countdown”. And the second is the Capitol Anthem, which is in fact the song “Horn of Plenty” composed by Win Butler and Régine Chassagne of Arcade Fire, and arranged by Howard for the film. This theme is one of the key musical moments of the score, and its arrangement performed by the London Voices in the track “Chariot Ceremony” is sublime, with the sense of gravitas that any powerful tyrannical government would desire to inspire the masses. Howard also creates intriguing textures of electronics as heard on tracks like “Enter the Capitol”, “Training” and on action sequences such as “Booby Trap” and the abrasive “Mutts Attack”. All in all, Howard delivers an impressive score with several moments of melodrama, fine details, and diverse instrumental colors.

The score for The Hunger Games was released as an album in 2012 by LionsGate and Universal Republic Records, as a companion to a song compilation album that featured some of the songs used in the film. The score album, however, offered several filler cues that disrupted the musical experience, and omitted several cues of interest, resulting in many enthusiasts undeservedly labeling it as a disappointment. Renovatio Records has produced a new program with the standouts of the score, along with new unreleased music, that not only flows narratively, but also showcases the extensive thought Howard put into the music.


Tracklist:
1. Katniss Afoot (2:35)
2. Capitol Ship (1:33)
3. Reaping (1:40)
4. The Train (1:33)
5. Enter The Capitol (2:56)
6. Chariot Ceremony (Horn Of Plenty) (3:04)
7. Katniss' Room (2:06)
8. Training (1:45)
9. The Countdown (1:58)
10. Survival (1:32)
11. Traitor Peeta (2:33)
12. Healing Katniss (3:08)
13. Booby Trap (3:11)
14. Rue's Farewell (5:01)
15. Taking Care Of Peeta (4:49)
16. Mutts Attack (5:16)
17. Returning Home (5:54)



Size: 263 MB
Files type: FLAC Audio File [.flac]
Channels: 2 (stereo)
Sample Rate: 44.1 KHz
Sample Size: 16 bit
Bit Rate: 1,411 kbps


Cover Artwork:





Credits:
Score Written and Produced by James Newton Howard Co-Produced by Jim Weidman and Stuart Michael Thomas Mastered by Patricia Sullivan, Bernie Grundman Mastering Orchestra and Choir Conducted by Gavin Greenaway Music Editors: Curtis Roush, Jim Weidman, David Olson Additional Arrangements and Synth Programming: Stuart Michael Thomas and Sven Faulconer ProTools Operators: Erik Swanson, David Channing Assistant Engineers: Matt Ward, Adam Miller, John Prestage Choir Co-Directors: Terry Edwards, Ben Parry Choir: London Voices Concertmaster/Solo Violin: Thomas Bowes Solo Cello: Josephine Knight Acoustic Guitar: John Parricelli Celtic Fiddle: Sonia Slany Recorder & Ethnic Flutes: Jan Hendrickse Cimbalom/Dulcimer: Greg Knowles Additional Music Performed by Chris Thile, Gabe Witcher and Paul Kowert of Punch Brothers (Courtesy of Nonesuch Records) Vocal Soloist: Clara Sanabras Music Librarian: Doug Logan Music Preparation: Dave Hage, Dakota Music Service Orchestra Contractor: Isobel Griffiths Assistant Orchestra Contractor: Jo Buckley Auricle Control Systems: Richard Grant, Chris Cozens Scoring Coordinator: Pamela Sollie Scoring Assistant: Christopher Wray Score Recorded at: Air Lyndhurst Studios, London, UK Scored Mixed at: 5 Cat Studios, Pacific Palisades, CA Additional Recording: Jason Wormer Additional Mixing: Mike Piersante "Horn of Plenty" Written by Win Butler and Régine Chassagne Performed by London Voices Renovatio Records [0-01702-19027]