Monday, May 20, 2024

The Mummy

 

The Mummy
(Original Motion Picture Soundtrack)

Music Composed and Conducted by
Jerry Goldsmith

One of the most beloved action adventure films of the 1990s turned 25 this year, and here at Renovatio Records we want to celebrate its anniversary with a new album. We are thus proud to present Jerry Goldsmith's iconic score for The Mummy. Directed by Stephen Sommers and starring Brendan Fraser, Rachel Weisz, John Hannah Kevin J. O’Connor, Jonathan Hyde, and Arnold Vosloo in the title role, The Mummy is a loose remake of the 1932 film of the same name. Set in 1926 Egypt, the story follows adventurer Rick O'Connell, librarian Evelyn Carnahan, and her older brother Jonathan, as they travel to Hamunaptra, the City of the Dead, where they accidentally awaken Imhotep, an ancient Egyptian high priest who had been cursed and buried alive centuries ago.

Development of the film took several years, with the script being rewritten many times, as well as several directors, such as George A. Romero, Clive Barker and Joe Dante, being attached to helm the film. Eventually, Sommers’ pitch of a romantic action-adventure epic with a few horror elements earned the studio’s approval. At the time of release, The Mummy quickly became a huge hit for Universal Pictures, grossing $416 million worldwide against a budget of $80 million, with much praise given to its groundbreaking special visual effects (courtesy of Industrial Light & Magic), its tongue-in-cheek approach, and its outstanding musical score by Jerry Goldsmith.

Goldsmith and Sommers had previously collaborated on the action/horror film Deep Rising the year before, but The Mummy could not be any more different. For this epic adventure, Goldsmith wrote a large-scale symphonic score with heavy percussion, powerful brass performances, and several regional instruments such as the bouzouki, a Greek mandolin-like instrument, which is featured extensively throughout the score and lends an authentic Middle Eastern flavor to the music. 

At the heart of Goldsmith's score are four key thematic motifs. In his first cue (“Imhotep”), Goldsmith already introduces three of these, the first being an exotic theme for ancient Egypt, that makes a grand entrance with brass, choir and thundering percussion, underscoring an excellent shot where the camera pans over an Egyptian cityspace. This theme makes several other appearances in the form of action driven renditions in cues like “Tuareg Attack” and “My Favorite Plage”. During “The Caravan”, Goldsmith uses this theme as a basis to develop a majestic motif for a traveling montage, as the protagonists ride camels across the Sahara agains epic desert vistas; this track is one of the highlights of the entire score.

Complementing the ancient Egypt theme is a sinister motif associated with Imhotep and his curse. This theme is foreshadowed in “Imhotep” and “The Sarcophagus”, and remains dormant until Imhotep is resurrected and starts wreaking havoc in cues like “Locusts”, “My Favorite Plague”, “Sand Storm” and “Rebirth”. In these cues, the seven-note theme progresses from low and doom-laden performances to aggressive brass treatments and menacing choir, embodying the relentless brutality of the mummy's growing powers and actions.

The third theme, also introduced in the cue “Imhotep”, is a poignant love theme that Goldsmith dedicates to Imhotep and his illicit love, Anck Su Namun, the bride of Pharaoh Seti I. Later, Goldsmith uses this theme to underscore the romantic relationship between Rick and Evelyn. The love theme thus reappears in “Giza Port”, as the couple begin to like each other, and progresses into a sweeping treatment in “Camel Race”, a lush performance during the film’s climax during “The Sand Volcano”, and a full majestic statement with elegant choir accompaniment during the end credits cue “The Mummy”. Least to say, Goldsmith's love theme for The Mummy is one of Goldsmith’s career achievements and each of its performances steal the show.

The fourth and final theme is an swashbuckling heroic theme for Rick which makes its debut in “Tuareg Attack”, and is later given a powerful heroic performance during “Night Boarders”. Additional full-on action treatments of this theme reappear during “My Favorite Plague”, “Sand Storm”, and the tour de force “Rebirth”, which sees Rick’s theme struggling for dominance with Imothep’s theme as the cue progresses.

In addition to these thematic ideas, Goldsmith incorporates his signature motific approach and bombastic action material. Tracks like "The Crypt" and "Discoveries" exhibit the composer's mastery of suspenseful atmospheres, while cues like "Death Is Only the Beginning" deliver pulse-pounding excitement that will put your speakers to the test. In conclusion, Jerry Goldsmith's score for The Mummy is a tour de force of cinematic composition, showcasing the composer's unparalleled talent for storytelling through music.

Back in 1999, the score was released by Decca Records as an album that contained many of the work’s highlights, but it still omitted significant cues like the one for the sandstorm sequence. Several bootleg releases followed, most of them assembled with the music obtained from the DVD isolated score feature. In 2018, Intrada Records released a 2-CD limited edition that contained all the music that Goldsmith recorded for the film. While it provided excellent sound quality and a new mix by Bruce Botnick, as expected, much of the new music were filler suspense additions that make the album experience way too long for listeners. This new release by Renovatio Records addresses those issues and presents a new program that makes justice to Goldsmith’s outstanding score. A must-have addition to any fan's collection of the maestro.


Track List:

1. Imhotep (4:17)
2. The Sarcophagus (2:13)
3. Tuareg Attack (2:19)
4. The Desert Will Kill Him (2:22)
5. Giza Port (1:58)
6. Night Boarders (4:05)
7. The Caravan (2:41)
8. Camel Race (3:23)
9. The Crypt (4:13)
10. Discoveries (3:38)
11. Locusts (5:46)
12. My Favorite Plague (4:00)
13. Crowd Control (3:09)
14. Sand Storm (3:14)
15. Rebirth (8:23)
16. Death Is Only the Beginning (5:26)
17. The Sand Volcano (2:17)
18. The Mummy (2:26)

Total Running Time: 65:50



Size: 421.4 MB
Files type: FLAC Audio File [.flac]
Channels: 2 (stereo)
Sample Rate: 44.1 KHz
Sample Size: 16 bit
Bit Rate: 1,411 kbps


Cover Artwork:





Credits:

Music Composed and Conducted by Jerry Goldsmith

Original Score Produced by Jerry Goldsmith
Executive Album Producers: Sean Daniel, Jim Jacks, Stephen Sommers
Executive in Charge of Music for Universal Pictures: Harry Garfield

Orchestrations: Alexander Courage
Music Recorded by Mike Ross-Trevor at Air Studios and Whitfield Street Recording Studios, London, England
Music Mixed, Edited and Mastered by Bruce Botnick
Choir: The Ambrosian Singers
Music Mixed at Sony Pictures Scoring, Culver City, CA
Music Editor: Ken Hall
Orchestra Contractor: Isobel Griffiths
Music Preparation: Vic Fraser
Computer Programming: Nick Vidar
Assistant to Mr. Goldsmith: Lois Carruth
Soundtrack Coordinators: Randy Dry, Trevon Kezios, Kristen Turner

Published by Music Corporation of America, Inc. (BMI)



Cue Assembly:

Track Title

Slate & Cue Title

1. Imhotep

R1P1 Imhotep

2. The Sarcophagus

R1P3 The Sarcophagus

3. Tuareg Attack

R1P4 The Tauregs Attack

4. The Desert Will Kill Him

R1P5-R2P1 Closed Door

R2P2A Undiscovered Creature

5. Giza Port

R4P1 Giza Port

6. Night Boarders

R4P3-R5P1 Night Boarders

7. The Caravan

R5P3 The Caravan (Edited)

8. Camel Race

R5P4 Camel Race

R6P1 Ancient Mirrors

9. The Crypt

R6P2 The Prep Room (Edited)

R6P3 The Scarab Tunnel (Edited)

R6P4 Bad Air (Edited)

R6P5 The Mummy Sarcophagus

10. Discoveries

R7P3 Discoveries

11. Locusts

R8P2-R9P1 The Locusts (Edited)

R9P2 Never Stop

12. My Favorite Plague

R111P1A Wild D Chord

R11P1 My Favorite Plague

13. Crowd Control

R11P2 Crowd Control

14. Sand Storm

R12PA Airplane Ride

R12P1 Sand Storm (Edited)

15. Rebirth

R12P3-R13P1 p/u Intro Bugs Again

R12P3-R13P1 Rebirth (Edited)

R13P1A Rebirth Pt.2

16. Death Is Only the Beginning

R14P1 The Mummy Attack (Edited)

17. The Sand Volcano

R14P3 The Sand Volcano

18. The Mummy

R14P5 Love Theme


Motion picture artwork and photos © 1999 Universal Studios. This compilation and cover artwork © 2024 Renovatio Records.
All rights reserved. Unauthorized duplication is a violation of applicable laws. For promotional use only.

Renovatio Records [0-01702-19091]

Friday, April 26, 2024

Alien: Covenant

 


Alien: Covenant
(Original Motion Picture Soundtrack)

Music by
Jed Kurzel

To commemorate this year's Alien Day, Renovatio Records proudly presents the score for the 2017 film Alien: Covenant. Directed by Ridley Scott and featuring a stellar cast including Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, and Demián Bichir, the film serves as a direct sequel to the 2012 hit Prometheus. The film follows the crew of the colony ship Covenant as they journey to a remote planet, only to confront perilous encounters with hostile life-forms, including the enigmatic android David, survivor of the ill-fated Prometheus expedition. While the film received mixed reactions from critics and audiences alike, its undeniable strengths lie in its breathtaking set pieces, impeccable production design, and heart-pounding suspense.

The music of the Alien franchise has always been a topic of discussion among film music enthusiasts. From Jerry Goldsmith's iconic score for the original Alien to the varied approaches of subsequent composers, including James Horner, Elliot Goldenthal, John Frizzell, and Marc Streitenfeld, each installment has brought its own sonic identity to the table. The significant variation of musical styles has elicited mixed reactions from audiences with some fans embacing the evolution of the music, while others feeling that certain scores deviated too far from the tone established by Goldsmith's original. 

The music Alien: Covenant was no stranger to controversies. Initially, Scott’s regular collaborator Harry Gregson-Williams was set to compose the score. However, the composer departed due to scheduling difficulties and creative differences. Scott then turned to Australian composer Jed Kurzel for the score. Initially met with skepticism due to this indie rock background, Kurzel defied expectations and managed to deliver a very accomplished piece of work.

In the score for Alien: Covenant, three distinct aspects stand out, each contributing to the film's immersive atmosphere and emotional depth. The first involves the interpolations of Goldsmith’s original Alien theme. Kurzel skillfully makes several hints and references to the classic woodwind, flute and trumpet ideas making standout performances in cues like "Covenant", "Planet No. 4" and "Launcher Landing", evoking a sense of familiarity and nostalgia for longtime fans while seamlessly blending with Kurzel's contemporary vision. The second aspect is Kurzel’s contemplative material that underscore the personal and existential struggles of the colony ship crew. Katherine Waterston’s character is treated with a lamentful piano melody in "A Cabin on the Lake", while a somber yet reassuring motif for the crew, often carried by a French horn, appears in cues such as "Neutrino Burst", "Sails", and the opening of "Terraforming Bay".  These themes effectively convey the characters' sense of loss and the weight of their mission, while also providing surprisingly warm tones. The third aspect is expectedly the horror element, and here is where Kurzel exploits his electronic textures, with ambient suspense and pounding rhythms to build tension and suspense. A two-note theme for the hostile life-forms adds an ominous layer, heightening the sense of danger and dread in cues like "Med Bay", Cargo Lift" and "Terraforming Bay". Kurzel also keeps the string section quite busy during suspenseful sequences. Cues like "Perfect Organism" include chilling bursts of high-pitched string mayhem that will certainly catch you off-guard and give you quite the fright.

Kurzel's execution throughout the score is also commendable, blending orchestral richness with innovative sound design to navigate familiar terrain with both personality and conviction. Moments like those heard in the latter half of "David Appears," as well as in cues such as "Derelict Ship" and "Creation," showcase a juxtaposition of traditional orchestration and modern soundscapes, evoking a captivating sense of both terror and wonder, a feeling that any fan of the Alien franchise can relate to.

Kurzel's score for Alien: Covenant was released as an album by Milan Records in 2017. While presented in chronological form, a number of the cues added to this album were fillers that disrupted the narrative arc of the film. Renovatio Records’ release addresses that issue; while much of the original program is retained, some cues were removed, unreleased material was incorporated, and many cues have been merged together to enhance narrative coherence and musical flow. Whether you're a die-hard fan of the franchise or a newcomer to the world of Xenomorphs, this album certainly promises to captivate.

Join us in celebrating Alien Day by immersing yourself in the spine-tingling soundscape of Alien: Covenant and revisiting our previous releases of the iconic scores that have defined the Alien franchise for generations. Today, we pay homage to the enduring legacy of Ridley Scott's visionary universe. Happy Alien Day!



Track List:

1. Covenant (3:18)
2. Neutrino Burst (2:42)
3. A Cabin on the Lake (2:49)
4. Sails (3:28)
5. Planet No. 4 (3:06)
6. Launcher Landing (2:33)
7. Derelict Ship (2:09)
8. Med Bay (5:55)
9. David Appears (5:09)
10. Survivors (2:03)
11. Payload Deployment (1:37)
12. Command Override (2:34)
13. Bestiary (3:48)
14. Creation (1:55)
15. Perfect Organism (2:54)
16. Cargo Lift Rescue (5:12)
17. Terraforming Bay (4:28)
18. A Kind World (1:38)

Total Running Time: 57:18



Size: 276.3 MB
Files type: FLAC Audio File [.flac]
Channels: 2 (stereo)
Sample Rate: 44.1 KHz
Sample Size: 16 bit
Bit Rate: 1,411 kbps


Cover Artwork:





Credits:

Music by Jed Kurzel

Score Produced by Peter Cobbin & Kirsty Whalley
Executive in Charge of Music for Twentieth Century Fox: Danielle Diego
Music Supervised for Twentieth Century Fox: Patrick Houlihan
Music Production Supervised for Twentieth Century Fox: Rebecca Morellato

Business Affairs for Twentieth Century Fox: Tom Cavanaugh
Music Clearance for Twentieth Century Fox: Ellen Ginsburg

Music Programmer/Engineer: Matt Lovell
Score Orchestrated by Hugh Brunt, Adam Langston, James Brett & John Ashton Thomas
Music Preparation: David Hage for Dakota Music Service
Orchestra Contractor: Isobel Griffiths
Assistant Orchestra Contractor: Lucy Whalley
Conducted by Cliff Masterson and Robert Ames

Performed by London Contemporary Orchestra
Orchestra Leader: Thomas Bowes
Trumpet Solos: Phil Cobb
French Horn Solos: Richard Watkins
Cello Solo: Caroline Dale
Chamber Improvisation: Galya Bisengalieva, Mayah Kadish, Robert Ames, Gregor Riddell & David Brown
Solo Improvisation: Robert Ames
Pre-Record Flute Solos by Helen Greenwood

Score Recorded by Peter Cobbin
Score Mixed by Peter Cobbin & Kirsty Whalley
Score Editors: Cécile Tournesac & Fiona Cruickshank
Scoring Preparation: Cécile Tournesac
Score Recordists: Fiona Cruickshank & John Barrett
Assistant Engineers: John Prestage, Alex Fergurson & Matt Jones
Additional MIDI Programming: David Menke & Jean-Gabriel Raynaud
Score Recorded at Abbey Road Studios & Air Lyndhurst Studios
Score Mixed at Henry Light Studio, London
Music Editors: Tony Lewis & Arabella Winter

"Theme from Alien"
Composed by Jerry Goldsmith

Original Film Score Published by T C F Music Publishing, Inc. (ASCAP)


Cue Assembly:

Track Title

Slate & Cue Title

1. Covenant
1m3 Covenant
2. Neutrino Burst
1m4A Neutrino Burst
3. A Cabin on the Woods
1m4B Packing
1m5B Cabin on the Lake
4. Sails
2m6a Space Funeral
2m6b Sails
5. Planet No. 4
1m5a Team Meeting
2m7 Planet No. 4
6. Launcher Landing
2m9 Launcher Landing
2m10 Wheat Field
7. Derelict Ship
3m11 Spores (Edited)
8. Med Bay
3m13 Med Bay Creature (Edited)
9. David Appears
3m14 Tall Grass Attack
3m15 Dead Civilization
10. Survivors
4m17 80KM
3m16 Survivors of Prometheus
11. Payload Deployment
4m20a Payload Deployment
12. Command Override
4m21 Rosenthal’s Death
4m22 Command Override
4m24 Cargo Lift (Edited)
13. Bestiary
5m25 My Beautiful Bestiary
5m26 Facehugger
14. Creation
5m27 Chestbuster
15. Perfect Organism
5m28 Lonely Perfection (Edited)
5m29 Facehugger Second Attack (Edited)
16. Cargo Lift Rescue
5m30 David vs. Walter – Cargo Lift Rescue (Part 1) (Edited)
17. Terraforming Bay
6m32 I’m Here to Serve
6m36 Terraforming Bay (Edited)
6m36A Daniels Appears
18. A Kind World
6m38 Closing (Alien Covenant Theme) (Edited)

Motion picture artwork, photos and Fox Trademarks and © 2017 Twentieth Century Fox Film Corporation.
Cover artwork ©2024 Renovatio Records. All rights reserved. Unauthorized duplication is a violation of applicable laws.
For promotional use only.

Renovatio Records [0-01702-19061]

Monday, March 18, 2024

Ghostbusters


Ghostbusters
(Original Motion Picture Score)

Music Composed and Conducted by
Elmer Bernstein

Do you believe in UFOs, astral projections, mental telepathy, ESP, clairvoyance, spirit photography, telekinetic movement, full trance mediums, the Loch Ness monster and the theory of Atlantis? If so, prepare to immerse yourself in the otherworldly universe of New York's spectral inhabitants with Renovatio Records' latest release: Elmer Bernstein's score for the 1984 blockbuster film Ghostbusters. Directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis, Ghostbusters follows the misadventures of a group of eccentric parapsychologists who embark on a ghost-catching enterprise in the heart of New York City. Starring Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, and Sigourney Weaver, with Rick Moranis, Annie Potts, and William Atherton in supporting roles, the film quickly captivated audiences with its unique blend of humor, action, and supernatural intrigue.

While Ghostbusters soared to cultural phenomenon status, spawning a multi-billion dollar multimedia franchise, including sequels, reboots, animated series, and more, Elmer Bernstein's score often found itself overshadowed by the film's chart-topping songs, notably Ray Parker Jr.'s iconic title song. However, a closer examination reveals a score that deserves recognition for its own charm and creativity. Bernstein seamlessly blends elements of comedy and horror to complement the film's narrative, effectively underscoring the quirky antics of the Ghostbusters as they navigate the paranormal landscape of 1980s New York City.

At the heart of the score lies its main theme, introduced in the cue "Ghostbusters Main Theme." A whimsical and infectious melody, primarily carried by jazzy playful piano arrangements, effectively sets the comedic and fantastical tone of the film. Throughout the score, Bernstein masterfully adapts this theme, ensuring thematic coherence while infusing each rendition with its own unique flair. From the rock-inflected energy in the latter half of "The Library Ghost" to the disco-inspired instrumentation of "We Got One!," Bernstein's versatility shines through, enhancing the film's comedic and action-packed sequences.

Yet, it is in the darker, more foreboding moments of the film that Bernstein's score truly excels. Employing a full orchestra, Bernstein crafts haunting compositions that underscore the malevolent presence of entities like Zuul and Gozer. A menacing brass fanfare, often back by organ accompaniments towards the end of the score, evoke a sense of grandeur, mystery and foreboding, as heard in cues like "Dana's Apartment" and the superb "Gozer The Gozerian." For the ghosts themselves, Bernstein resorts to a haunting leitmotif for wavering high strings and ondes martenot, which plays under most of the ghostly encounters, such as in the cue “Opening”, the middle portions of “The Library Ghost”, and during “Zuul”, which also showcases impressive orchestration techniques. Bernstein also incorporates a love theme for the characters played by Murray and Weaver. This heartfelt theme is presented in full during “Peter & Dana”, reaching an effective climax in “Finish”.

When it comes to its commercial release, Bernstein's score for Ghostbusters has faced significant challenges throughout the years. Various album versions have been plagued by inconsistencies and omissions, leaving fans longing for a definitive representation of the score. In 1984, Arista released an LP with nearly all the songs in the film and only two of Bernstein’s cues. Several bootlegs followed with inferior sound quality, until 2006, when Varèse Sarabande released an extensive limited edition of the score. However, this album was missing a handful of cues. The score received another album release in 2019 by Sony Classical that incorporated new cues but had a questionable track order. With Renovatio Records' latest release, however, fans can finally experience Bernstein's work in all its glory. Presented in chronological order with a cohesive narrative arc and including all of the highlights of the score, this album honors Bernstein's legacy and ensures that his contribution to the Ghostbusters phenomenon receives the recognition it deserves.


Track List:

1. Opening (2:19)
2. Ghostbusters Main Theme (3:01)
3. The Library Ghost (2:49)
4. Meet Dana (1:44)
5. Dana's Apartment (2:41)
6. We Got One! (1:51)
7. Sedgewick Hotel (3:03)
8. Peter & Dana (1:28)
9. Spook Central (2:31)
10. Who Brought the Dog? (2:58)
11. Zuul (3:50)
12. Judgment Day (1:19)
13. Gozer the Gozerian (5:10)
14. Final Battle (3:02)
15. Finish (2:14)
16. Ghostbusters (4:05) - Performed by Ray Parker Jr.

Total Running Time: 44:05



Size: 236.5 MB
Files type: FLAC Audio File [.flac]
Channels: 2 (stereo)
Sample Rate: 44.1 KHz
Sample Size: 16 bit
Bit Rate: 1,411 kbps


Cover Artwork:





Credits:

Music Composed and Conducted by Elmer Berstein

Produced by Elmer Bernstein
Orchestrations by Peter Bernstein, David Spear and Patrick K. Russ
Orchestra Contractor: Nathan Kaproff
Performed by The Hollywood Studio Symphony
Ondes Martenot: Cynthia Millar
Scoring Mixer: Robert Fernandez
Supervising Music Editor: Kathy Durning

Score Published by Golden Torch Music Corp. (ASCAP)

"Ghostbusters"
Performed by Ray Parker Jr.
Written by Ray Parker Jr.
Published by Golden Torch Music Corp. (ASCAP) and Raydiola Music (ASCAP)
Produced by Ray Parker Jr.


Cue Assembly:

Track Title

Cue Title

1. Opening

The Library (Edited)

2. Ghostbusters Main Theme

Ghostbusters Theme

3. The Library Ghost

Hello (Edited)

Get Her! (Edited)

4. Meet Dana

Plan (Edited)
Taken (Edited)

5. Dana’s Apartment

Fridge (Edited)
Sign (Edited)
Dana’s Apartment (Edited)
Same Problem (Edited)

6. We Got One!

We Got One (Edited)
We Got One Alternate (Edited)

7. Sedgewick Hotel

Halls (Edited)
Ballroom (Edited)
Trap (Edited)

8. Peter & Dana

Meeting 1
I Respect You

9. Spook Central

Cross Rip
Attack

10. Who Brought the Dog?

Dogs (Edited)
Ghosts!

11. Zuul

Zuul Part 1
Zuul Part 2 Alternate

12. Judgment Day

Judgment Day

13. Gozer the Gozerian

Meeting 2
Stairwell
Gozer (Edited)

14. Final Battle

We’re Going to Save the World (Edited)
Mr. Stay Puft (Edited)
Final Battle

15. Finish

Finish

16. Ghostbusters (Ray Parker Jr.)

Ghostbusters


Motion picture artwork, photos, TM and copyright © 1984 Columbia Pictures Industries, Inc. This compilation and cover artwork © 2024 Renovatio Records.
All rights reserved. Unauthorized duplication is a violation of applicable laws. For promotional use only.

Renovatio Records [0-01702-19088]